Leung’s artistic practice involves observation and intervention through flaneuring, sometimes working with found images and ready-made objects, so as to explore the interplay between art and its plights. The result appears in the form of object, installation and video, exhibited to accumulate a visual disruption.

This radically inventive body of work is achieved by hand-screen printing images, in this case striking grids of currencies, onto retroreflective vinyl sheeting, the industrial material used to make road signs visible in the dark. While traces of patterning are perceptible upon first inspection of these intriguing monochromes, it is only when the works are illuminated by a beam of light that the intricate details of the iconic imagery are fully revealed. The works must be 'activated' by the viewer, whether using the light on an iphone or taking a photograph with a flash, encouraging an engagement and personalized experience with each work of art.